![]() Rupert, one of six state hive inspectors, wore a protective bonnet to inspect the first hives because she wasn’t sure what to expect, and because she wanted to demonstrate good beekeeping habits. Carrying it in their “pollen baskets,” the insects drop a little here and there to cross-pollinate, making it possible for you to eat, and then carry the rest back to their hives to feed new larvae and to produce honey.īy now, their queens should have mated with a few scores of drones and be drawing wax into comb-like chambers for the incubation of larvae.īut that isn’t always what Rupert found in her inspection of domestic hives at the country home of Phil and Linda Edwards - although one hive had been found in the woods and rebuilt and stocked with bees - and at one domestic and one wild-bee hive belonging to Phil Haines, in a field on the edge of Laurinburg. Right now, it’s pollen season, time for bees to cover themselves in the stuff that makes you wish you’d bought stock in Kleenex. But disease still can destroy that, as can an infestation of beetles - or an ineffective queen. “Busy” generally means “fed,” which keeps the queen fat and happy and the workers, working. “If you don’t keep ‘em busy, they start up trouble.” “Bees are like teenagers,” she told the swarm of beekeepers in white suits. ![]() Some hives evidenced “excellent laying patterns” by the queen others revealed spotty laying patterns, showing the queen was aging or, possibly, diseased. In some cases, she told the Scotland and Richmond County beekeepers on Saturday, she was unpleased what she found. master tapes from Roulette, who in the 1960s owned Tico, later sold to Fania.LAURINBURG - As honeybees dive-bombed the aliens surrounding their homes over the weekend, state bee inspector Nancy Rupert deftly pulled apart a handful of hives to show two counties’ worth of field-tripping beekeepers how apiaries should look this time of year. Wax Poetics Japan debuts at Tower Records in Tokyo in October 2008.Issue 24-shown here on the wall in mock-up pages in the summer of 2007.Ricardo Wilson (Doc Ric), Amir Abdullah, and Dennis Coxen. (left to right) Brian DiGenti, Kevin DeBernardi, Michael Coxen, Mandrill manager, Mandrill cofounder and leader Dr.Issue 17 (Dilla/Public Enemy – June/July 2006) party at the Wooster Street Adidas store in Manhattan, July 31, 2006.Brooklyn, New York, Wax Poetics office, September 2005. Table of contents: Issues 1 through 13, with the first mock-up of the David Axelrod cover for Issue 14.With progress on Issue 14 going well, there’s a glaring omission: the Axelrod article (which would become part one of two) being worked on simultaneously by DiGenti and Eothen Alapatt till the very end of going to press.A couple weeks later, the team (left to right: Kevin, Brian, and Andre) set out to close Issue 14 and send it off to print within a week.After three and a half years and thirteen issues, the Wax Poetics crew finally moved into an official office space in the burgeoning neighborhood of DUMBO, Brooklyn.(left to right) Bassist Andy Cotton, percussionist and longtime Tom Tom Club touring member Bruce Martin, and DJ Monk-One. Wax Poetics Issue 2 release party at Black Betty, June 20, 2002.Wax Poetics founder Andre Torres at the Sound Library before Issue 2’s release party later that night, June 20, 2002.The Roots of Wax Poetics: Brian DiGenti and Andre Torres making a beat on the Ensoniq ASR-10 in Brooklyn, New York, 1997.
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